Category: Uncategorized
The Curve of the Load
I want this love for one to stand for all a wooden staff embedded in the ground to bud as tree and fruit with myth and lore I want to know this once before I fall I want to see that what I was before when I was on the wave beyond her call was not as lost as what I thought I found between the give and take of something more I want to know the echo of the sound ring true across the limit of the shore she is the falling man before a stall the fall of man towards a higher ground she is the rest of grace and still I fall through leaf and bough toward the rooted ground through wisdom that I could not know before she is the rest of grace, and that is all
Black Country
He dammed the river needlessly it overflowed in spate did she calculate or carelessly forget the weir gate? the syllables were spilled and washed the torrent sluiced the bier she levelled blame, and he, abashed, held back from drawing near but language was his barrier and water, spirit borne, grew tongues until philosophy was anvil, mare and corn.
Birmingham Hymn
Integral force of prayer compounds base firmament elevating sacrament to fiery heaven, where, holding locks surprised God's tower is defended, Time is wrecked and ended, sparkling, Christianised.
Love or nothing
No verse ever gets it right and
says exactly how these things are,
if ever any language does
Words do not come at our command
and like the light from distant stars
show each thing only as it was
And even there the light is wrong,
the trace is clumsy in the touch,
and love is never caught in stone
For your sake stop my mouth and song,
which says too little or too much,
and pare my language to the bone
That love at last might find a voice
that touches both the peak and trough
and steadies each in balanced thought
To know when love is not a choice,
to know when love is not enough,
and know when love is all, or nought.
The Hundred Acre Wood
…exit pursued by a bear So bring the rain, Red Leader, bring the rain For nothing now can ever be the same And nothing now can come to any good It’s Khmer Rouge Year Zero In the Hundred Acre Wood Agent Orange is a rumour on the wind And evangelists insist that all have sinned Who knows where common decency once stood? It took the Fifth Amendment In the Hundred Acre Wood Where Mick Jagger has a gun across his knees, The tracker dogs are nose up to the breeze And Tigger, Pooh and Piglet are hiding in the trees Groovy Bob is sober, Brian Jones is pissed, The Kindred of the Kibbo Kift half-heartedly persist To try to fill a vacuum where once stood Robin Hood Green Men going native In the Hundred Acre Wood Teddybears array beneath the flagging Hindu sign Of a sunwheel god, ecstatic and malign Oaths and avowals based on soil and blood Will stand a thousand years In the Hundred Acre Wood The lacerated worm forgives the sullen plough Iconoclasts take potshots at every sacred cow And membership of the National Trust cannot save you now Old Possum tries his hardest to ignore The desperate, frantic rapping at the door His harried mind cannot compose the sentences it should From Dog Fox Field on Margate Sands To the Hundred (S)acre(d) Wood While racist background static continues night and day Dog-whistling to the herrenvolk as they come out to play It’s just another chapter in a tale where none are good Paid on both betraying sides In the Hundred Acre Wood The helicopter gunships smile on those below Camouflage becomes them in a way they couldn't know We shout our drunken raucous way through Hal-an-Tow The earth compelled the service to be read by candlelight For those who wrecked themselves in nothing more than spite The nine men’s morris is filled up with mud And prayers have been said backwards In the Hundred Acre Wood And nothing now can come to any good So bring the rain, Blue Leader, (although I doubt you could) Having drained from us our reason Forgive us now our treason In the Hundred Acre Wood And curse the waters of the rising flood Shantih Covid Shantih Shantih Brexit Shantih Shantih Fucking Shantih In the Hundred Acre Wood
The Busby Babes
Too young to know these lads and think them great,
I had to rest on what my uncle said.
Coaxed with beer in Altrincham pubs, he’d wait
until their vivid ghosts had filled his head;
not black and white, like newsreel films I knew,
but proud before the Stretford End in red,
an average age of barely twenty-two
yet strong enough to frighten Real Madrid.
How good they might have been no one can state.
Perhaps the game was never better played
than by the players in that tragic show,
abruptly ended in the Munich snow,
when they had run their hearts out in Belgrade,
February 6th, 1958.
Triptych From an Imaginary War
i. Child-king amongst his subjects Slapping him on the back the old boy with the pitch-fork twang tells him to have his pick of the girls The girls, slouched in the cottage door, do not know how to take this, and that night, dumb with terror, say nothing when he comes This angers him; he petulantly rides away at dawn, having first ordered the castration of the yokel, And works off his temper by invading France ii. Shakespeare and co. It's a dirty job, but someone's got to do it; maintaining a presence, that is, Unopened bodies lie in their bags at border outposts where no lieutenants come to pass their orders round They should have been identified and buried, they should have been recorded and dispatched They should not have been sitting in the meadow by the river quietly quoting poetry That, is carelessness, that, is how things like literature start iii. The Song of Macmorris She was willow when the grass was green and the orchard of her country was covering, blessed and sweet She was hawthorn when the bier froze and mummers in their element were iron hard to dragon thaw She was the blossom of cherry trees when ghosting drovers and airmen rattled the squalling year She was russet when the hill fell soft in the turning from ripe to raw when she was nature's country and its civil war
King Horse
Horse thinks he remembers two things from the past
He finds it hard not to see the meadow as a battlefield,
the shimmering ghostly troops
a heat wave after Michaelmas
the crack of fire,
bushes of gunpowder charging from the copse
At this point, she will dismount and lead his muffled clop
through the drifting snow and the lung-shadow trees
He knows the night will be thin;
the tail lights of aeroplanes will wink above the stable,
their insect buzz betrayed
by false forgotten weather
And on waking, he will recall his second memory
His blank nobility
before the bridle is fitted
kindles spectral light
refracting from the corners
of rooms with mirrors,
standing orders and judicial wigs
I watch her on horseback in the unpolluted field,
where my clot of thoughts
do not obtain their promised words
Pictures in my mind become
falling distant objects;
Time is down as she rides by,
her newly broken horse
a high-born, kingly creature,
whose stance under burden
proclaims reincarnation
Even in these notes
there is something of the reinvented horse;
a transformed air,
charged with spirits and mayflies
And as far out as the edge of sense
such weights and measures break us,
Yet this furlong of light
is where we belong:
An acre of space
with a memory horse
loose in the unfenced heart
Reciprocating Engines
If life and love were simple and call met echo in return this language would be ample and song would lie unborn but keen and cry and sorrow reflect the loss and weight when balance is unequal to this eccentric state No steam, nor steel nor matter redress the fractured heart, nor word, not art, nor sympathy contend to salve or part So each within existence contrives to spoil or mend and lie in happy balance or the best they can pretend
Past imperfect
nobody owes you the story you want to believe or the reason you need to wake up over again we are all just I waiting for the truths unforgiving friends decline to give or blind us from in error so listen to myths or walk in moonlight watch the water run through your fingers like misplaced rosary prayers balance on the arc and trust what I say that this is complete in its dissembling and honesty because it takes a rare pain to bring me to this plain confessional table where I sit and look after the sun watching distant stars stutter and occlude as kisses dissolve long after lights out and way past our bedtime